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[size=5]Yes - Heaven and Earth (2014) [email protected] Beolab1700[/size]

[IMG]http://i.imgur.com/94xyJ33.jpg[/IMG]

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                        Yes - Heaven & Earth
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Artist...............: Yes
Album................: Heaven & Earth
Genre................: Progressive Rock
Source...............: CD
Year.................: 2014
Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520
Codec................: LAME 3.99
Version..............: MPEG 1 Layer III
Quality..............: Insane, (avg. bitrate: 320kbps)
Channels.............: Joint Stereo / 44100 hz
Tags.................: ID3 v1.1, ID3 v2.3
Information..........: 

Posted by............: Beolab1700 on 21/07/2014

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                       Tracklisting
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   1. Yes - Believe Again                                     [08:00]
   2. Yes - The Game                                          [06:50]
   3. Yes - Step Beyond                                       [05:32]
   4. Yes - To Ascend                                         [04:42]
   5. Yes - In a World of Our Own                             [05:18]
   6. Yes - Light of the Ages                                 [07:39]
   7. Yes - It Was All We Knew                                [04:11]
   8. Yes - Subway Walls                                      [09:01]

Playing Time.........: 51:18
Total Size...........: 118.34 MB

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The last men standing among the major 70s progressive rock bands are no longer the band they once were, with choirboy-on-acid singer Jon Anderson now replaced by Jon Davison. Despite the inevitable grumbling, Davison’s been doing a good job on stage, and he captures Anderson’s distinctive tones on record, too. Producer Roy Thomas Baker – best known for his work with Queen – gives the album a rich, 70s sound, and the material is solid enough, flavoured with Steve Howe’s distinctive, rippling guitar and Geoff Downes’ retro keyboard. What’s missing is the ambitious scope of their heyday, and the vitality of the younger generation of progressive rock bands.
At times, Heaven and Earth verges on the twee, and there’s a distinct AOR flavour throughout,
with only occasional flashes of the Yes of old. Only the closing mini-epic Subway Walls will excite fans of the original band, as Downes and Howe solo over a Chris Squire bass riff, building to a symphonic rock climax

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