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Sight & Sound - January 2017 (gnv64)
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Sight & Sound - January 2017
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Sight & Sound - January 2017
English | 116 pages | True PDF | 29 mb

REGULARS
Rushes
6 In the Frame: Thirty years on from Blue Velvet, we reprint an interview with David Lynch discussing the inspirations behind the film
8 Object Lesson: Hannah McGill listens out for violins in the movies
9 Interview: Thirza Wakefield talks to Ruth Beckermann, director of The Dreamed Ones
11 Dispatches: Mark Cousins relishes the sadness of Amy Adams
The Industry
12 Development Tale: Charles Gant blows the whistle on Snowden
13 The Numbers: Charles Gant counts the success of I, Daniel Blake
Festivals
14 Alex Dudok de Wit reports from the FiSahara festival in southern Algeria
Wide Angle
56 Artists’ Moving Image: Nick Pinkerton visits an exhibition devoted to digital visionary Mark Leckey
58 Soundings: Zakia Uddin tunes in
to Todd Solondz’s pop banality 59 Primal Screen: Pamela Hutchinson on wilderness woman Nell Shipman
60 Festival: Giovanni Marchini Camia reports from the Viennale
111 Letters 


FEATURES
18 COVER FEATURE - Dancing with the stars - Damien Chazelle’s bewitching musical La La Land is saturated in the style of its classic Hollywood forebears, but never loses sight of where the genre might be headed next. By Pamela Hutchinson PLUS Dan Callahan on the genius of Gene Kelly
28 A lesson in awkward - Following The Misadventures of Awkward Black Girl, Issa Rae is back with Insecure. But has her work been diluted by the transition to mainstream TV? By Gaylene Gould
32 Moral tales - Krzysztof Kieslowski rose to prominence on the back of Dekalog, but his earlier TV work has been unjustly neglected. By Michael Brooke PLUS Tony Rayns recalls meeting the great Polish director
36 Father of invention - Rich in biblical references and religious iconography, Eugène Green’s The Son of Joseph borrows the imagery of the past to examine the spiritual health of the present. By Catherine Wheatley
38 Time after time - A fascination with early cinema fuels the work of South African artist William Kentridge, whose multimedia installations explore time, history, politics, black holes – and megaphones. By Richard Combs

PLUS - Films of the month, Best films of 2016, Home cinema, Books.
 
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