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Beyonce - Suga Mama
Type:
Video > Music videos
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122.96 MiB (128933892 Bytes)
Uploaded:
2009-06-11 06:17:13 GMT
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Info Hash:
AAA3DC5A150786DF20AA6C3098F2B5EE5ED262D8




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Source: TV

File Info:

Video: MPEG-2 video , 720x480, 29.97 fps, VBR (Constant quality), Maximum 6124 Kb/s
Audio: Dolby Digital, 48000 Hz, Stereo, 256 kbps


"Suga Mama" is a song by American R&B singer Beyoncé Knowles. It was written by Knowles, Rich Harrison, and Makeba; Harrison and Knowles produced the track for her second solo album, B'Day. It contains a sample of Jake Wade and the Soul Searchers' song "Searching for Soul", which was written by Chuck Middleton. The song is influenced by 1970s funk and contains limited elements of 1980s go-go, with sound that closely resembles live music.

The music video for the song was released in April 2007 on British television. Critical reviews of the song were generally positive.

The "Suga Mama" music video was released to British music channels in April 2007. It is black-and-white and was co-directed by Melina and Knowles for the B'Day Anthology Video Album, which was released the same month; it was one of eight videos shot in two weeks for the album. It begins with Knowles sitting in a chair, wearing men's clothing and smoking a cigar. She gets up and begins to pole dance. The remainder of the video presents Knowles dancing on top of a sugar cube, dancing with backing dancers whose faces are partially concealed, lying in a circle of light, and riding a mechanical bull. Knowles said she is meant to "slowly become a woman" during the video, adding "Well, a sexier woman — I'm always a woman."

Knowles rehearsed the pole dancing using two ballet bars, which was when it was decided to add a pole above her head to form an arc. Though Knowles is from Texas, she had never previously been on mechanical bull. There were no problems during warm-ups, but the man operating the bull during the video shoot programmed it to go faster, causing Knowles to fall off when she tried to perform tricks such as lifting up her foot, leaning back and turning around. To minimize the time Knowles spent on the bull, the director shot the sequence at twelve frames per second and Knowles sang twice as quickly, but it wasn't until 4:00 am that they completed work.


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