Funeral.Parade.of.Roses.1969.DVDRip.x264.AC3-KARiNA
- Type:
- Video > Movies
- Files:
- 2
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- 1.88 GiB (2023508883 Bytes)
- Info:
- IMDB
- Spoken language(s):
- Japanese
- Texted language(s):
- English
- Tag(s):
- japan 1969 lgbt avant-garde KARiNA
- Uploaded:
- 2009-07-09 02:59:46 GMT
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- SerA0
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- Info Hash: 68E8DDA87BE769AF816705DAB8793522F957F26B
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Funeral Parade of Roses (1969) Directed by Toshio Matsumoto [http://www.imdb.com/title/tt0064068] [ Synopsis ] A feverish collision of avant-garde aesthetics and grind-house shocks (not to mention a direct influence on Stanley Kubrick’s A Clockwork Orange), Funeral Parade of Roses takes us on an electrifying journey into the nether-regions of the late-’60s Tokyo underworld. In Toshio Matsumoto’s controversial debut feature, seemingly nothing is taboo: neither the incorporation of visual flourishes straight from the worlds of contemporary graphic-design, painting, comic-books, and animation; nor the unflinching depiction of nudity, sex, drug-use, and public-toilets. But of all the “transgressions†here on display, perhaps one in particular stands out the most: the film’s groundbreaking and unapologetic portrayal of Japanese gay subculture. Cross-dressing club-kid Eddie (played by real-life transvestite entertainer extraordinaire Peter, famed for his role as Kyoami the Fool in Akira Kurosawa’s Ran) vies with a rival drag-queen (Osamu Ogasawara) for the favours of drug-dealing cabaret-manager Gonda (Yoshio Tsuchiya, himself a Kurosawa player who appeared in such films as Seven Samurai, Throne of Blood, and High and Low). Passions escalate and blood begins to flow — before all tensions are released in a jolting climax that prefigures by nearly thirty years Tsai Ming-liang’s similarly scandalous The River. With its mixture of purely narrative sequences and documentary footage, Funeral Parade of Roses comes to us from a moment when cinema set itself to test, and even eradicate, the boundaries between fiction and reality, desire and experience; consequently, the film shares a kinship with such other 1969 works as Masahiro Shinoda’s Double Suicide and Ingmar Bergman’s A Passion [The Passion of Anna]. Yet Matsumoto achieves a zig-zag modulation between pathos and hilarity that makes his picture utterly unique: a filmic howl in the face of social, moral, and artistic convention. [ Video ] x264 Duration 1h 44mn Bit rate 1 950 Kbps Nominal bit rate 2 000 Kbps Width 720 pixels Height 480 pixels Display aspect ratio 4/3 Frame rate 23.976 fps [ Audio - Track 1 ] Format AC-3 Bit rate 384 Kbps Channel(s) 2 channels Language Japanese Subtitles English [ Audio - Track 2 (Director's Commentary) ] Format AC-3 Bit rate 192 Kbps Channel(s) 2 channels Language Japanese Subtitles English [KARiNA]
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