Stanley Clarke - 1974 Stanley Clarke (320kbps)
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- gitartom
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Extension : mp3
Quality : 320kb/s
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Released : 1974
Label : Epic
Producer : Stanley Clarke
Genres : Jazz
Smooth Jazz
Fusion
Funk
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# Title Writer(s) Length
01 Vulcan Princess (Stanley Clarke) 4:00
02 Yesterday Princess (Stanley and Carolyn Clarke) 1:41
03 Lopsy Lu (Stanley Clarke) 7:03
04 Power (Stanley Clarke) 7:20
05 Spanish Phases... (Michael Gibbs) 6:26
06 Life Suite (Stanley Clarke) 13:07
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Personnel
# Stanley Clarke : Bass, Vocals, Piano
# Jan Hammer : Piano, Organ, Moog
# Bill Connors : Guitar
# Tony Williams : Drums
# Airto : Percussion
| File list not available. |
Than you gitartom. One of the best bass players around. :P
A brilliant player on both acoustic and electric basses, Stanley Clarke has spent much of his career outside of jazz,
although he has the ability to play jazz with the very best. He played accordion as a youth, switching to violin and cello
before settling on bass. He worked with R&B and rock bands in high school, but after moving to New York, he worked with
Pharoah Sanders in the early '70s. Other early gigs were with Gil Evans, Mel Lewis, Horace Silver, Stan Getz, Dexter Gordon,
and Art Blakey; everyone was impressed by his talents. However, Clarke really hit the big time when he started teaming up
with Chick Corea in Return to Forever. When the group became a rock-oriented fusion quartet, Clarke mostly emphasized
electric bass and became an influential force, preceding Jaco Pastorius. But, starting with his School Days album (1976), and
continuing through his funk group with George Duke (the Clarke/Duke Project), up to his projects writing movie scores,
Stanley Clarke largely moved beyond the jazz world into commercial music; his 1988 Portrait album If This Bass Could Only
Talk, and his 1995 collaboration with Jean Luc Ponty and Al DiMeola on the acoustic The Rite of Strings, are two of his few
jazz recordings since the '70s.
although he has the ability to play jazz with the very best. He played accordion as a youth, switching to violin and cello
before settling on bass. He worked with R&B and rock bands in high school, but after moving to New York, he worked with
Pharoah Sanders in the early '70s. Other early gigs were with Gil Evans, Mel Lewis, Horace Silver, Stan Getz, Dexter Gordon,
and Art Blakey; everyone was impressed by his talents. However, Clarke really hit the big time when he started teaming up
with Chick Corea in Return to Forever. When the group became a rock-oriented fusion quartet, Clarke mostly emphasized
electric bass and became an influential force, preceding Jaco Pastorius. But, starting with his School Days album (1976), and
continuing through his funk group with George Duke (the Clarke/Duke Project), up to his projects writing movie scores,
Stanley Clarke largely moved beyond the jazz world into commercial music; his 1988 Portrait album If This Bass Could Only
Talk, and his 1995 collaboration with Jean Luc Ponty and Al DiMeola on the acoustic The Rite of Strings, are two of his few
jazz recordings since the '70s.
thanks
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