Details for this torrent 

(Blues) Bobby Rush - Raw
Type:
Audio > Music
Files:
19
Size:
134.2 MiB (140723557 Bytes)
Tag(s):
blues
Uploaded:
2010-12-13 08:20:42 GMT
By:
nightissuchproximity VIP
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0
Leechers:
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Info Hash:
1CFE63FA683EDB1DA17242B465F68A579C47723C




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Genre: Blues
Styles: Acoustic Blues,
Contemporary Blues
Released: 2006
Label: Deep Rush
File: mp3; 320 Kbps
Size: 135.0 MB
Time: 56:46 min.
Covers: Included



01. Boney Maroney (3:34)
02. Good Morning Little Schoolgirl (3:51)
03. Glad to Get You Back (3:31)
04. Howlin' Wolf (3:56)
05. Knockin' at Your Door (3:18)
06. What's Going On (4:20)
07. 9 Below Zero (4:47)
08. What's the Use (3:40)
09. You Don't Love Me (4:41)
10. I'm Tired (2:53)
11. How Long (5:46)
12. Uncle Esau (3:57)
13. I Got 3 Problems (3:37)
14. Bobby Rush for President (4:45)

Bobby Rush - Guitar, Harmonica, Percussion & Vocals
Shawn Kellerman - Dobro (3,5,13)
Duwayne Burnside - Guitar (14)
Jimbo Mathus - Guitar (14)
Eric Deaton - Bass (14)
Charles Gage - Drums (14)

Recorded in Jackson & Como, MS., 2006.
Produced by Bobby Rush
© 2006 Deep Rush Records 
http://www.bobbyrush.net


Just as the title implies, Raw is Bobby Rush at his most elemental: a man, his acoustic guitar, and his foot stamping out a beat on an amplified board. A little harmonica now and then, and a Dobro played with a bottleneck slide on the rollicking "Glad to Get You Back," but that's it for ornamentation. Although most of 13 songs are Rush originals, he also essays three standards, Larry Williams' early rock classic "Boney Maroney," Muddy Waters' "Good Morning Little Schoolgirl," and, fearlessly, "Howlin' Wolf" itself, which he slows down into a funereal dirge. Rush calls his music "folk funk," but in reality, Rush is the modern equivalent of the first country bluesmen, before the moves to Memphis and Chicago added full-band arrangements and electricity. But Rush isn't a hidebound traditionalist attempting to resurrect a past form for its own sake; Raw crackles with the energy of a musician who knows that he's working in the style that best suits his own personal gifts. This is a hundred times more listenable than yet another blues band plodding through a set of tenth-generation rewrites of "Sweet Home Chicago," and could well be the blues recording of 2006.


 


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