Constantine's Sword (2007) Docu on Catholic Church & Antisemitism

Video Codec..........: MPEG-2 
Video Bitrate........: 4597kbps 
Duration.............: 2:04:19
Resolution...........: 720*480 
Framerate............: 29.970 
Filesize.............: 4,278,976,512 

 
https://bayimg.com/laDeKAaDp
 
https://www.imdb.com/title/tt0902270/
 
https://constantinessword.com/
 
https://www.amazon.com/Constantines-Sword-Church-Jews-History/dp/0395779278
 
https://en.wikipedia.org/wiki/Constantine's_Sword_(film)


James Carroll's Constantine's Sword, or Constantine's Sword, is a 2007 historical documentary film on the relationship between the Catholic Church and Jews. Directed and produced by Oscar-nominated filmmaker Oren Jacoby, the film is inspired by former priest James P. Carroll's 2001 book Constantine's Sword.

Synopsis

The title page of this film shows the shadow of a cross, with "No war is holy" written across the transept. Constantine’s Sword is the story of James P. Carroll's journey to uncover the roots of war. Carroll, a former Catholic priest whose father (Joseph Carroll) was a famous Air Force general, implies that there has been a relationship between religiously inspired violence and war, beginning with the adoption of Christianity by the Roman Emperor Constantine I in 312 AD. Constantine was convinced that he had won a battle because he had followed the instructions of a vision, to inscribe a sign of the cross (the Labarum) on the shields of his soldiers. In Carroll's view, this event marked the beginning of an unholy alliance between the military and the Church.

Carroll focuses on Catholic and evangelical anti-Judaism, and invokes the cross as a symbol of the long history of Christian xenophobic violence against Jews and non-Christians, from the Crusades, through the Roman Inquisition and the creation of the Jewish ghetto, to the Holocaust. Carroll also charges that there is an ongoing evangelical infiltration of the U.S. military, and that this has had negative consequences for U.S. foreign policy. The film's final chapter, "No war is holy", concludes with views of military cemeteries as Aaron Neville sings "With God On Our Side".

Technical details

95 minutes
Languages in film: English, German, Italian and Yiddish
Cast/Featuring: Liev Schreiber, pastor Ted Haggard, Phillip Bosco, Natasha Richardson, Eli Wallach
Director: Oren Jacoby
Producers: Oren Jacoby, James Carroll, Michael Solomon, Betsy West.
Supervising producer: Elgin Smith
Screenwriters: James Carroll, Oren Jacoby
Production company: Storyville Films
Studio: First Run Features


Editorial Reviews

Amazon.com Review

Constantine's Sword is a sprawling work of history, theology, and personal confession by James Carroll (the author of An American Requiem, among many others). Carroll begins his landmark project by describing contemporary Catholic remembrances of the Holocaust and the Church's intolerable legacy of hostility towards Jews. He then surveys Catholic anti-Judaism beginning with the New Testament and proceeding through the early Church, the Crusades, the Inquisition, the Enlightenment, and World War II, before concluding with "A Call for Vatican III," a Church council that would make meaningful repentance for an entrenched tradition of hatred. Carroll's prescriptions for repentance, continued in a powerful epilogue, are bracingly concrete: "there is no apology for Holy Week preaching that prompted pogroms until Holy Week liturgies, sermons, and readings have been purged of the anti-Jewish slanders that sent the mobs rushing out of church.... Forgiveness for the sin of anti-Semitism presumes a promise to dismantle all that makes it possible." Carroll's personal reflections as an American Catholic infuse his historical narrative, and although his reflections are sometimes unnecessarily detailed, they are admirable for the principle they express: "I find myself unable to accuse my Church of any sin that I cannot equally accuse myself of," he writes. Carroll's judgments on the Church are rightly harsh, even agonizing. And yet his vision for a future rapprochement between Christians and Jews is hopeful, in part because he personally has come to understand the deep connections between Israel and the Church: "Jesus offers me, a non-Jew, access to the biblical hope that was his birthright as a son of Israel." --Michael Joseph Gross

From Publishers Weekly

Part history, part memoir, this hefty tome by novelist Carroll (Mortal Friends, etc.) traces the record of anti-Semitism and anti-Judaism in the Catholic Church, suggesting that centuries of animus culminated in the Holocaust. Carroll also traces the development of his own thinking about Judaism: as a Catholic seminarian, he knew no Jews and little about Judaism, except what he learned in classrooms, i.e., that Judaism had been superceded by Christ's new covenant. As a young priest at Boston U (which his colleagues disparagingly referred to as B-Jew, since so many Jews were enrolled), Carroll began to spend time with rabbis and Jewish students whose political and social commitments he found congenial. Eventually he left the priesthood; his increased discomfort with the Church's attitudes toward Judaism played no small part in that decision. But this book is more than guilty Catholic breast-beating. It also offers a sweeping look at instances of anti-Jewish sentiment throughout European history, from the blood libel to the Dreyfus affair, from the Inquisition to Auschwitz. Carroll offers fresh, provocative analysis, as in his discussion of the idea that the God of the Jews is a judgmental God concerned with law, whereas Jesus is about loveDa foundation of much anti-Semitism. Carroll argues that Jesus' emphasis on love was his most Jewish attribute. Carroll makes these incisive arguments in his characteristically vigorous prose; fans of An American Requiem, his National Book Award-winning memoir, won't be disappointed. This magisterial work will satisfy Jewish and Christians readers alike, challenging both to a renewed conversation with one another. (Jan.) Forecast: A Book-of-the-Month Club alternate selection, this book has a built-in market among Jewish and Catholic readers. Carroll is a columnist for the Boston Globe, so he has a dedicated readership there that will be boosted further by publicity appearances in that city and around the country. Two major events in the Boston area will kick off the book's publicity: a symposium at Brandeis and one at Harvard Divinity School, both featuring a discussion of the book by leading religious scholars. 
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