Mount Kimbie is a British electronic duo that formed in London, England in 2008. The duo consists of Dominic Maker and Kai Campos. Unlike many other mainstream dubstep artists, their style revolves around sampling, loops and ambient soundscapes.
Kai is originally from St. Austell in Cornwall, while Dom is from Brighton. They met at Southbank University in London, where Kai was having another go at university and Dom was studying film.They started making music together at a home studio in Peckham. Arguably responsible for the term post-dubstep, the duo has released two unique EPs. The band's debut album, entitled Crooks and Lovers, was released on 19 June 2010 in the UK to critical acclaim, and achieved a 7.9 ADM Rating on review aggregator website AnyDecentMusic. BBC Music said Crooks & Lovers is an album of abrupt changes and paradoxes, at once organic and heavily processed, drowsy and yet with moments of eyes-on-stalks urgency, acoustically sweet and electrically charged.  (wikipedia)

With two EPs and a handful of remixes, Mount Kimbie have opened a portal into the world of post-dubstep, electronic fusion soundscaping. 'Crooks & Lovers' is their much anticipated debut album, an assured statement comprised of crafty complexities and coherently juxtaposed angles making use of the freedom from any immediate dancefloor demands. With their releases landing on HotFlush and their inclusion in the catch-all net of dubstep, you'd be forgiven for thinking they're a purely dancefloor act but there's many more elements at play within Mount Kimbie that we've always felt would better lend them to the album format. The shards of acoustic guitars, crying-on-the-dancefloor vocals and jazz arrangements woven into their singles are given more time to develop here, from the vocal glossolalia of 'Adriatic', sounding like an XX experiment recorded on a 10th storey balcony, to the woozy underwater accordian and nautical atmospherics of 'Ode To Bear' or the Bohren And Der Club Of Gore-style dark jazz closer 'Between Time', indulging their esoteric inclinations with finesse. That's certainly not to say that they've forgetten the groove entirely. It's still a central feature of their sound, just largely slowed to a more sedate, hazy pace. The heavy compressed head-swing of 'Would Know' sounds like Actress stepping off with James Blake (who frequently works closely with the duo), and 'Blind Night Errand' programmes Bretschneider-esque digital minimalism spliced with an East London flex in line with Spatial productions. They're at their best when all the elements mesh together, with idiosyncratic chord arrangements, effervescent R'n'B vibes and clinical rhythm structures of 'Carbonated' or the morphing BC-to-Balearia of 'Field' and the twitchy soul of 'Mayor'. 'Crooks & Lovers' is a deeply enjoyable album with a broad appeal to lovers of pop savvy, technically aware and original electronic music. A Must. (Boomkat)


 1. Tunnelvision
 2. Would Know
 3. Before I Move Off
 4. Blind Night Errand
 5. Adriatic
 6. Carbonated
 7. Ruby
 8. Ode to Bear
 9. Field
10. Mayor
11. Between Time