Artist: Blackburn & Snow
Title: Something Good For Your Head
Year Of Release: 1966-67/2007
Label: Big Beat Records
Genre: Folk Rock
Audio codec: WAV | lossles
Total Time: 52:11

Tracklist:
1. Stranger in a Strange Land (Samuel F. Omar) - 2:27
2. Yes Today - 3:24
3. Takin' It Easy - 3:23
4. Time - 2:56
5. It's So Hard (Jeff Blackburn, Randy Sterling) - 3:07
6. Do You Realize - 3:35
7. Sure or Sorry - 2:27
8. Unchain My Heart (Freddy James, Agnes Jones, Teddy Powell, Bobby Sharp) - 1:48
9. Uptown Downtown - 2:12
10.Some Days I Feel Your Lovin' - 3:09
11.Post-War Baby - 1:49
12.Think - 2:17
13.No Kidding - 1:57
14 I Recall the Day - 2:50
15.Everybody Brings Better Things - 3:18
16.Stand Here - 2:40
17.I Don't Want You Back Babe - 1:31
18.Stop Leanin' on Me - 2:15
19.Post-War Baby - 1:45
20.Pass This Way - 3:12

Line-up:
Jeff Blackburn - Guitar, Vocals
Sherry Snow - Percussion, Vocals
John Chambers - Drums
Bill Fulton - Guitar
Bob Jones - Guitar
Bill Lewis - Drums
Jerry McGee - Guitar
Randy Steirling - Bass
Tom Sullivan - Bass
Steve Talbot - Bass
Larry Taylor - Bass

Although Blackburn & Snow were probably not allowed to reach their full potential due to various problems (not the least of them being a lack of record releases), this collection of 20 1966-67 recordings is only a little below the first tier of mid-1960s American folk-rock in quality. "Stranger in a Strange Land" is a highlight and probably could have been a big hit. Almost on the same level are melodic Blackburn originals that could be ebullient ("Yes Today," "It's So Hard," "Every Day Brings Better Things"), spookily sad and folky ("Takin' It Easy," "Some Days I Feel You Lovin'"), or both high-spirited and hard-edged at once ("Do You Realize"). About a dozen of these songs have circulated on muffled lo-fi collector's tapes in the past, but the fidelity here is pristine. It's recommended to fans of early California folk-rock, the early Jefferson Airplane being the closest reference point (though it's more like the 1966 Airplane than the 1967 model). It's also unusual for such a collector-oriented release in how it is both almost guaranteed to satisfy fans of classic folk-rock groups like the early Airplane, Byrds, and Buffalo Springfield, but quite distinctive in approach and not explicitly derivative of any of the big names in the genre