Ninth World Music: NWM 040 
http://www.ninthworldmusic.com/

* Herb Robertson: trumpet's
* Lotte Anker: saxophones
* Peter Friis Nielsen: bass
* Peter Ole Jørgensen: percussion, homebuilt instruments
 
http://www.herbrobertson.com/index.php 
http://www.lotteanker.com/ 
http://www.allmusic.com/artist/peter-friis-nielsen-mn0001231539 
http://www.allmusic.com/artist/peter-ole-j%C3%B8rgensen-mn0001477808

Recorded at Ninth World Studios, 2006.

Reviews
~~~~~~~

By Stef 
http://www.freejazzblog.org/2009/08/mokuto-dressed-like-horse-ninth-world.html

Madness and esthetics, humor and beauty, seldom go together well in music,
often the one goes at the expense of the other, but not so with this
band. Their music is beyond description. There are laughs and crazy
vocalizations, sometimes chattering of musical instruments like monkeys in
trees, birds in the jungle, maybe pigs, possibly horses, sometimes
incomprehensible and a seemingly pointless scattering of notes that never
really evolve into phrases. The band, Mokuto, consists of three great Danish
musicians, Lotte Anker on saxophone, Peter Ole Jørgensen on drums and Peter
Friis Nielsen on bass, occasionally performing as a quartet, and here, as on
their previous release in the company of trumpet-player Herb Robertson. The
astonishing fact of this album, is that out of the absurdity of it all, out of
the weirdness and otherworldliness, a sensitive beauty emerges, almost
organically, naturally, ... and while the lead instruments are responsible for
most of that fragile beauty, it is Nielsen's bass that creates the most
distinct sound, creating little percolating sounds on his bass, giving it a
solid backbone and drive without falling into any fixed rhythmic pattern. And
the same holds true for Jørgensen's percussion: it's crisp and fresh and
unpredictable, it emphasizes and accentuates and creates depth, and it drives
the music forward, yet without there being any distinct beat. I had listened to
their previously released "Message For The Errand Boy", an album that did not
strike as worth reviewing, yet I went back to it and I must review my
opinion. Very unusual and very rewarding beautiful music, for those with open
ears and open minds.

--

By Ken Waxman 
http://www.jazzword.com/review/126892